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INSTRUCTIONS

Instructions
  1. Before submitting your work, please read the instructions for uploading your
    contribution. 

  2. Our submission process is entirely FREE, and we welcome contributions from
    anyone, anywhere. 

  3. Human team: You may submit your contribution as interdisciplinary or
    international teams.

  4. Informed Consent: Before you send your contribution, make shure you and all of
    the participants fill up the next informed consent.

  5. If your submissions have any image of a person, make shure them fill up the Consent
    for the Use of Third- Part Image.

  6. You can enter the call on the Submit form.

Ancla 1
Ancla 2
Upload instructions

UPLOADING

​File Specifications


File Name:The file name must follow the format: “yourlastname”_“file number”.


File Formats:

  • Images

    • Accepted formats: jpeg, png, jpg

    • Image size: 72 dpi, between 1 MB and 5 MB

    • Longest side: 1280 pixels

    • Color mode: sRGB

    •  Post-production is allowed; however, images must not contain any signature

    • Individual titles: If images have individual titles, these may be entered in the title field during upload. text, logo, copyright mark, or watermark.

  • Videos

    • Accepted formats: mp4, mov

    • Horizontal or vertical recording is allowed.

    • Post-production is permitted; however, videos must not contain signature text, logos, copyright marks, or watermarks.

    • Individual titles may be included in the title field during upload.

  • Narratives, Stories, or Text Formats

    • Accepted formats: docx, txt

    • Length: 500 to 1,000 words

  • Audio Files

    • Accepted formats: mp3, wav

    • Length: equivalent to 500 to 1,000 words

  • Other Formats

Participants may propose additional formats to the project committee by writing in
advance to: interges_fcebog@unal.edu.co

Revisions

  • Once the file is submitted, revisions or changes to the proposal will not be possible.


Submission Requirements

  • Minimum submissions: At least three files are required; however,

applicants are encouraged to submit more materials, including portfolios and
series.

  • Maximum submissions: Each submission allows up to 15 files at a time;

multiple submissions are accepted.


Text Enhancements

  • We strongly recommend complementing photo, video, or audio submissions with text to enrich the audiovisual narrative and articulate how your work relates to the project theme.The text may establish a fluid and flexible connection with the audiovisual material, allowing prose, poetry, narration, descriptions, information, or other formats.

  • Submissions are welcomed in a wide variety of languages, beyond French, Spanish, Portuguese, Chinese, Persian, and others.

Technical Equipment

  • No limitations apply regarding the type of camera or recording equipment used for photographs, videos, or audio files.

Identity Protection: 

  • Participants are reminded of the available anonymity and identification options (see“Participation Modalities”).


Participation Modalities

  • Option 1: Participants may allow the publication of their identification data (first name, last name, title of the contribution) together with their submission. They will appear in the list of contributors featured in the exhibition.

  • Option 2: Participants may allow the publication of their identification data in a general list of contributors without linking those data directly to their submission. Their work will be published anonymously using codes and/or pseudonyms.

  • Option 3: Participants may request that their identification data NOT be disclosed. Their contributions will remain confidential and anonymous, accessible only to the project’s researchers. Submissions will be published using codes and pseudonyms.

​​​

​Submission Information:

Choose the theme of your project:

  • The role of accounting/quantification/classification in humans’ relations to nature

  • Ordering of and in nature and ecological systems

  • Role of numbers/quantification in traditions/cultures

  • The role of accounting/quantification/classification systems in organisation of work life

  • The role of quantification/classification systems and cartographies in organisation of spaces such as cities

  • Human body and how it is managed/disciplined through quantification and classifications.

  • Human collectives and their regimes of ordering

  • Acts of resistance and exceptional situations of overflow and disorder in any of the above

  • Other themes 

  • Other counteraccounts/ counternarratives 

Payment instructions

  • Instagram
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