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Call for entries

Through this call we aim to collect visual stories including photography and text in relation to the role of quantification, classification and ordering in life. We will organise three physical exhibitions and one publication based on the received contributions. We will also communicate short-listed submitted work on our website and in the social media. Some themes we are interested in are:


  • The role of accounting/quantification/classification in humans’ relations to nature

  • Ordering of and in nature and ecological systems

  • Role of numbers/quantification in traditions/cultures

  • The role of accounting/quantification/classification systems in organisation of work life

  • The role of quantification/classification systems and cartographies in organisation of spaces such as cities

  • Human body and how it is managed/disciplined through quantification and classifications.

  • Human collectives and their regimes of ordering

  • Acts of resistance and exceptional situations of overflow and disorder in any of the above


The textual elements of the submissions are an essential aspect of this project and will be featured in our social media and physical exhibitions. For your work to be considered, we encourage you to take the time to develop a text ,be it reflection, a poem or a description to create a visual story around your submission that links to our project themes.

The word “count” can refer both to storytelling as in ‘recounting’ or numerification as in ‘counting’. Numbers and counting are central to how we tell (and are told) stories about our lives and nature. Quantification pervades modern life. We rely every day on a host of numbers to organise our lives and, in turn, our lives are quantified by markets, organisations and governments to shape our behaviors.



Numbers are organised in the forms of scores, rankings, ratings, indicators and grades – all of which are central to how we value things and, in turn, how we are valued. Our relation to our bodies is also increasingly mediated by numbers through the counting of our steps, heartbeats, burned calories and even (degree of) happiness.

There is a figure of a man with graphical drawings on his skin. Drawings resemble bar and QR codes. His arms are crossed on his back. Author Afshin Mehrouya.


Production of such quantified accounts relies on the inherently reductive process of converting qualities to quantities and assuming comparability among different things and persons.

Such calculative devices are central to the “seeing” apparatus of modern societies, which enables governing/managing at a distance. Societies and corporations intervene upon what they attempt to measure/describe in fundamental ways – making their targets in their own image. By making visible certain aspects of things, they are bound to conceal or even hide other aspects. They leave little space for shadows by flattening reality.

Besides mediating the relations among humans, quantification is central to how humans attempt to make Nature manageable/governable. Whether we aim to exploit or protect it, quantification, aggregation, and comparisons are central to the politics of Nature and how modern humans break up, visualise and imagine forests, pollution, and the state of various species. Quantifying Nature enables policy-making and interventions upon our ecosystems from frequently distant “centres of calculation”, which brings vast unforeseen implications upon those quantified and counted, and perversely affects the counters.






There is a skin with round-shaped prints, a piece of a broken mirror with a face reflected in it. Author: Afshin Mehrpoya.


Key intellectual figures such as Max Weber and Michel Foucault and novelists such as Franz Kafka have been preoccupied with the increasing distance between the governing and the governed and the pernicious effects of such “governing at a distance”. Likewise, contemporary artists such as

Julien Previeux, Jean-Paul Fourmentraux, Samuel Bianchini, Trevor Paglen, Paolo Cirio, Christophe Bruno have questioned the societal, affective and aesthetic implications of the expanding use of quantification in governing.

Digital technology development has further intensified the quantitative turn in human societies. Seamless conversion of qualities to binary codes and back is the defining feature of datafication and its contemporary offsprings, the internet and big data.

Besides its frequently cold, contemporary aura, the history of numbers is intertwined with all cultures in intriguing and mysterious ways. For example, numbers feature in Persian Talismans in the form of ciphers that aim to possess and haunt. In Arabic, the Abjad system enables conversion between letters and numbers – enabling new possibilities for intertwining textuality and calculations – in poetry, calligraphy and painting.


In our agora, we invite photographic work that captures the ways contemporary humans and Nature are entangled with quantification and numbers. We are open to any submissions that broadly engage in a questioning of the role of numbers in organising human lives and their impact on humans and nature.

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All submissions will be carefully reviewed, and short-listed visual story/series will receive feedback from our curatorial board composed of artists, curators and academics working in arts but also critical studies of accounting, of global standing. Short-listed work will be showcased in an online exhibition including talks by outstanding contributors. In addition, we will organise physical exhibitions in well-established venues in Barcelona and Edinburgh. Selected work will be also used in a collective publication that will be developed as part of this project.

Why participate?

Exhibitions, international exposure, quality feedback ...


June, 30 


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